战前日本最重要的无声电影之一。 This resolution recurs in several of Hiroshi Shimizu's silent films, of which Eternal Heart (Fuei no Shiratama, 1929) was shown at Pordenone. This film examines different aspects of modernity through the personalities of two sisters. The elder is in love with Mr Narita, but he marries the younger, only to find that she neglects him and spends her time attending parties and drinking. Thus summarised, one might read the film as essentially conservative - an indictment of a "modern" woman who fails in her wifely duties. But the older sister also personifies an aspect of modernity, since she works as a typist in a Tokyo office. Courted by her boss, she is introduced to his children, who speak scathingly of her profession, and criticise the morality of working women. Here, Shimizu's sympathies are clearly with the modern, professional woman against the spoilt and judgemental upper class. The film's intelligence, in fact, lies in its ambivalent attitude to the modern - an ambivalence that one can trace through Shimizu's later and finer silent films. Unfortunately, the narrative resolution is unsatisfactory; the hero's departure from Japan and the heroine's marriage to her boss fail to answer the problems that the film has posed. The final escape seems a contrivance, though it may be that this failing is to be blamed on Kikuchi Kan, author of the original novel, rather than Shimizu. http://www.midnighteye.com/features/pordenone-silent-film-festival-2005.shtml
别名
eternal heart
undying pearl
不壊の白珠
剧情
this resolution recurs in several of hiroshi shimizu's silent films,of which eternal heart (fuei no shiratama,1929) was shown at pordenone. this film examines different aspects of modernity through the personalities of two sisters. the elder is in love with mr narita,but he marries the younger,only to find that she neglects him and spends her time attending ...
评论
mannialanck@@@@@6。日本默片基本拍的都是同一个东西
paracelsus@@@@@颇受欧美电影影响。看过的20年代日影中最好的之一。
句句@@@@@一对姐妹同时爱上一个男生。姐姐放弃,成就了妹妹。但妹妹本身就多情,最后和老情人牵手。男主最后远走国外,姐姐送别喜欢的男主后饮泣海边。
陆支羽@@@@@4.0。1.清水宏1929默片,红蓝黄绿紫,幽游人间情。2.静寂无声中,依稀可见清水宏对散文式影像的着迷。3.收尾以女主倚栏远眺,好诗意。4.我终于明白为什么寺山修司要不停地给影片调色了,我想很大程度是为了向默片时代致敬。
豆瓣短评
paracelsus@@@2011-01-05@@@1@@@颇受欧美电影影响。看过的20年代日影中最好的之一。
叶藏.!!张寄奴@@@2009-04-15@@@0@@@情节和一帘幽梦类似，但是没有一帘幽梦复杂···八云惠美子很不错啊，总觉得之前好像见过，原来她还出演过《那夜的妻》
那不勒斯市市长@@@2019-07-27@@@0@@@dramatic
陆支羽@@@2014-05-08@@@1@@@4.0。1.清水宏1929默片，红蓝黄绿紫，幽游人间情。2.静寂无声中，依稀可见清水宏对散文式影像的着迷。3.收尾以女主倚栏远眺，好诗意。4.我终于明白为什么寺山修司要不停地给影片调色了，我想很大程度是为了向默片时代致敬。
