lee hazlewood

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by John BushCountry and pop iconoclast Lee Hazlewood has been one of the music worlds most irascible geniuses during a long, fruitful career. An Oklahoma Dust Bowl refugee who grew up to become a dedicated Europhile; a production heavyweight who authored success stories for Duane Eddy and Nancy Sinatra but also a recording eccentric who refused to acknowledge mainstream tastes; a songwriter capable of crippling fatalism (My Autumns Done Come) and playful country corn (Dolly Partons Guitar), and songs that use elements of both (Dark in My Heart); its all part of the highly contradictory legend of Hazlewood.Hazlewood was born Barton Lee Hazlewood in 1929 in Mannford, OK. (A 1968 recording even took his birthplace as its title.) His father, an oil man, moved the family around continually during the 1930s and 40s while looking for work — with stops in Arkansas, Kansas, and Louisiana — before landing on the Gulf Coast in Port Neches, TX. Hazlewood enrolled at Southern Methodist planning to study medicine but was conscripted soon after; he married his high-school sweetheart, Naomi Shackleford, then spent several years overseas, spinning records in Japan for Armed Services Radio but also on active duty in Korea.Returning from the war, the Hazlewoods moved to California and then Coolidge, AZ, where Lee used a short stint in broadcasting school to land a job with a local radio station. His playlists eventually gravitated toward rock Some Velvet Morning, a haunting hymn to the twilight, became an alternative classic thanks to airings, not as much by contemporaries (Vanilla Fudge, Gabor Szabo) as by second- and third-generation inheritors (Lydia Lunch, Thin White Rope, Slowdive, Primal Scream).Also in 1968, Hazlewood the solo artist returned (briefly) to Reprise to issue Love and Other Crimes, another vaguely conceptual record featuring some solid material (though little to compare to his MGM work). He also formed his own imprint, LHI (Lee Hazlewood Industries), which most famously signed the International Submarine Band featuring Gram Parsons but later refused to release Parsons contract so his work with the Byrds could appear on the country-rock classic Sweetheart of the Rodeo. His own LHI debut was 1969s The Cowboy nevertheless, he released a new record, Cake or Death, in late 2006. The end finally came on August 4, 2007. (更多)

Alias lee hazlewood
Extra lee hazlewood
Name lee hazlewood
原始名称 Lee Hazlewood
名称 lee hazlewood
地区 欧美
歌手详细介绍

<info><id>51206</id><desc><![CDATA[Lee Hazlewood(1929年7月9日-2007年8月4日)是一个美国的乡村音乐和流行音乐歌手、词曲作者和唱片制作人。他最广为人知的作品是在20世纪50年年代和吉他手Duane Eddy合作的作品以及在20世纪60年代和歌手Nancy Sinatra合作的作品。\nHazlewood带有一种独特的男中音,在他的音乐中加入了一点共振。20世纪60年代末和20世纪79年代初,他和Nancy Sinatra的合作品和个人作品被称赞为声音中的重大贡献,经常被描述为“Cowboy Psychedelia”或是“Saccharine Underground”。]]></desc><basic><item><key><![CDATA[原文名]]></key><value><![CDATA[Lee Hazlewood]]></value></item><item><key><![CDATA[原名]]></key><value><![CDATA[Barton Lee Hazlewood]]></value></item><item><key><![CDATA[出生地]]></key><value><![CDATA[美国俄克拉何马州曼福德]]></value></item><item><key><![CDATA[生日]]></key><value><![CDATA[1929年7月9日]]></value></item><item><key><![CDATA[职业]]></key><value><![CDATA[歌手、词曲作者、唱片制作人]]></value></item><item><key><![CDATA[代表作]]></key><value><![CDATA[《Cake Or Death》]]></value></item><item><key><![CDATA[星座]]></key><value><![CDATA[巨蟹座]]></value></item><item><key><![CDATA[出道地点]]></key><value><![CDATA[美国德克萨斯端口内奇斯]]></value></item><item><key><![CDATA[活跃年代]]></key><value><![CDATA[1958至2006年]]></value></item><item><key><![CDATA[音乐类型]]></key><value><![CDATA[流行音乐、乡村音乐]]></value></item><item><key><![CDATA[演奏乐器]]></key><value><![CDATA[吉他]]></value></item></basic><other><item><key><![CDATA[职业生涯]]></key><value><![CDATA[在离开部队之后,Hazlewood在凤凰城担任DJ同时琢磨自己的写歌技能。他的第一首作为一名制作者和词曲创作人的打榜歌曲是《The Fool》,由摇滚乐艺术家Sanford Clark在1956年录制。\nHazlewood1966年为Nancy Sinatra创作和制作的在美国和英国排行第一的打榜单曲《These Boots Are Made For Walkin'》和《Summer Wine》也许正是他出名的原因。在他得著名歌唱作品中,最著名的是一个1967年和Nancy Sinatra的合唱《Some Velvet Morning》。1967年初,Lee也为Frank和Nancy Sinatra制作了一首排行第一的热榜歌曲《Somethin'Stupid》。Hazlewood为1967年Frank Sinatra的侦探电影《Tony Rome》制作了由Nancy演唱的主题曲。\n他写了歌曲《Houston》,该歌曲由Dean Martin录制并在1965年美国入榜。他也为Martin的女儿Deana Martin制作了几首歌曲,包括乡村音乐热曲《Girl Of The Month Club》。当时Deana 还是一个青少年。还有其他的单曲《When He Remembers Me》,《Baby I See You》和《The Bottom Of My Mind》均是在20世纪60年代录制的。\nHazlewood还写了一首《This Town》,该歌曲由Frank Sinatra录制并收录于1968年的专辑《Greatest Hits》。\n1967年,Hazlewood在Lee Hazlewood Industries下建立了LHI Records唱片公司。\n尽管Hazlewood在当时不太受瞩目,但是他仍在20世纪60年代中期为Gram Parsons和International Submarine Band乐队工作。\n20世纪70年代初,Hazlewood搬到瑞典斯德哥尔摩,在那里他和他的朋友及导演Torbjrn Axelman一起制作了一个一小时的电视节目“Cowboy In Sweden”。\nHazlewood在20世纪70年年代和20世纪80年代在音乐事业中是半退休状态。\n2006年,Hazlewood在Bela B.的首张个人专辑《Bingo》中的歌曲《Lee Hazlewood Und Das Erste Lied Des Tages》上演唱。他说他喜欢制作和创作专辑。]]></value></item><item><key><![CDATA[个人作品]]></key><value><![CDATA[专辑:\n1963年《Trouble Is A Lonesome Town》\n1964年《The N.S.V.I.P.'S》\n1965年《Friday's Child》\n1966年《The Very Special World Of Lee Hazlewood》\n1966年《Summer Wine》\n1966年《These Boots Are Made For Walkin'》\n1967年《Lee Hazlewoodism Its Cause And Cure》\n1968年《Nancy & Lee》\n1968年《Something Special》\n1968年《Love And Other Crimes》\n1969年《The Cowboy And The Lady》\n1969年《Forty》\n1970年《Cowboy In Sweden》\n1971年《Equiem For An Almost Lady》\n1972年《Nancy & Lee Again》\n1972年《13》\n1973年《I'll Be Your Baby Tonight》\n1973年《Poet,Fool Or Bum》\n1974年《The Stockholm Kid Live At Berns》\n1975年《A House Safe For Tigers》\n1976年《20th Century Lee》\n1977年《20th Century Lee》\n1977年《Back On The Street Again》\n1993年《Gypsies & Indians》\n1999年《Farmisht,Flatulence,Origami,ARF!& Me.》\n2002年《For Every Solution There's A Problem》\n2002年《For Every Question There's An Answer》\n2002年《Total Lee!The Songs Of Lee Hazlewood(Various Artists)》\n2002年《Bootleg Dreams & Counterfeit Demos》\n2003年《Lycanthrope Tour/Europe 2002》\n2004年《Nancy & Lee 3》\n2006年《Cake Or Death》]]></value></item></other></info>

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