悲情花街

热度:489

简介

Die freudlose Gasse (The Joyless Street), directed Georg Wilhelm Pabst from a script by Willy Haas, based on a novel by Hugo Bettauer, is not only one of the most important films of the Weimar Republic, it is also one of the most spectacular censorship cases of the era. While the film made its director famous, the state institutions of control guaranteed that no one would ever see the film in its original form. The film was considered too much of a provocation. Its story from the inflationary period in Vienna in the years immediately after World War I offered enough dynamite for several muckraking novels: nouveau riches currency and stock market speculators who wallow in Babylonian luxury, homeless and unemployed Lumpenproletariat living in barns, women who sell their souls for a bit of fresh meat at the butcher's, arrogant but impoverished former bureaucrats unaware of their social slide, young social climbers willing to prostitute themselves with high society women, sexual orgies and bordellos, murder out of jealousy, murder out of despair, and, finally, a revolution in the streets. Contemporary film critics, as well as film historians have always recognized The Joyless Street as a seminal film, a film on the border between German Expressionism and Neue Sachlichkeit (new realism). Two quotes from contemporary reviews may illustrate the point: the Berliner Tageblatt wrote: "In terms of its acting, this is a beautiful film with great direction and wonderful actors." In fact, the film starred Asta Nielsen, Werner Kraus, Hertha von Walter, and a young Greta Garbo who would go on to a stellar career in Hollywood. In the Deutsche Allgemeine Zeitung, Otto Friedrich wrote: "He (Pabst) achieves his goal in great style, does not tread on well-worn paths, presents new ideas which are uniquely his own, and with this achievement gives us a new hope. He captures the atmosphere of an idea, keeps redrawing it on the surface in ever more intensive images, in contrasts of action that make an ever stronger impression. He illustrates the down-trodden souls of the era and the manic lust for pleasure of its people who are trying to do nothing more than escape for a few minutes from the terrible truth of the present." Not only was the film cut for political and moral reasons in every country where it was publicly shown, it was also reedited in order to close the huge gaps created by censorship cuts. Thus, in almost every country totally different narratives of The Joyless Street emerged. According to Mark Sorkin, Pabst's editor, he and Pabst had made the first cuts the night before the premiere, because the theatre owner insisted the film be shortened.

While the first version of The Joyless Street still had a length of 3738 meters (only four meters were initially cut by the censorship board on 25 May 1925), the film was back in court on 29 March 1926, because the police had issued a decree calling for a total ban on the film, due to its "lewd" and " seditious" tendencies. Now only 3477 meters remained of the film. None of the later surviving versions ever came close to this length. Neither a German version, nor the original German censorship cards are known to exist. Everyone who has seen the new reconstruction of The Joyless Street agrees that it is a vast improvement over all previously existing versions. Yet it remains only a subjective attempt at a reconstruction. While it is true that the reconstruction team tried to base every one of it decisions on documentary evidence, it must also be admitted that without a surviving original German version, we will never know what the film really looked like. Given the incredible complexity of the narrative, involving at least six different subplots, and the fact that the film is still missing at least 700 meters, this version must be characterized as at attempt at a reconstruction. Jan-Christopher Horak

上映地区 德国
上映时间 1925-05-17
中文名 悲情花街
原始名称 悲情花街
国家 德国
地区 德国
外文名 die freudlose gasse
子类型 剧情
年份 1925
类别 电影
精选上位词 电影
英文名 die freudlose gasse
语言 德语
豆瓣短评数量 107
豆瓣评分 8.3
豆瓣评论人数 441
豆瓣长评作者 宗黎|@|非虚构
豆瓣长评数量 2
豆瓣长评时间 2009-02-28
豆瓣长评标题 沿用原名的观感:没有欢乐的大街 |@|导演说
豆瓣长评赞数 18 |@| 3
导演 乔治·威廉·巴布斯特
主演
  • agnes esterhazy
  • asta nielsen
  • karl etlinger
  • valeska gert
  • werner krauß
  • 葛丽泰·嘉宝
  • 别名
  • the joyless street
  • 没有欢乐的街
  • 剧情

    die freudlose gasse (the joyless street),directed georg wilhelm pabst from a script by willy haas,based on a novel by hugo bettauer,is not only one of the most important films of the weimar republic,it is also one of the most spectacular censorship cases of the era. while the film made its director famous,the state institutions of control guaranteed that no one would ever ...

    演员
  • agnes esterhazy
  • asta nielsen
  • karl etlinger
  • valeska gert
  • werner krauß
  • 葛丽泰·嘉宝
  • gregori chmara
  • 艾格尼丝·埃斯特黑齐
  • mario cusmich
  • 片长
  • 125 分钟
  • 142 分钟(1998 restored version on dvd,20 fps)
  • belgium:115 分钟
  • france:94 分钟(1981 restored version)
  • germany:148 分钟(1998 restored version at arte,zdf,19 fps)
  • germany:151 分钟(2009 dvd,19 fps)
  • germany:175 分钟(1998 restored version at berlin film festival,16 fps)
  • spain:109 分钟
  • 编剧
  • hugo bettauer
  • willy haas
  • 评论
  • will@@@@@看到中间想到了一个问题,大家还挺喜欢黑有钱人的。穷的人都是好看心善的人。
  • 优雅劏猪佬@@@@@【4s】20年代街道电影。车灯下的推轨摄影,暴露街道上穷人拥挤和通胀病态,摇晃跟随镜头现女人的疯狂主观状态;表现主义手法:将沦落成妓之女与女人画像的图形相似并置;穷人艰辛排队与富人花天酒地交互剪辑,对比下苦更苦腐更腐。资本家游戏激起底层阵阵苦浪,“狂人”呐喊“救救孩子”,恒以古今中外
  • 灰狼@@@@@151分钟的德语字幕卡,我竟然看懂情节了……有情人终成眷属,卖身求肉不得的女人怒杀镇关西
  • 灰色堡垒@@@@@很惊讶默片时代就能实现那么复杂的叙事了,虽然剧情冲突不是很强,但是却真实地为我们再现了一战后维也纳底层民众的艰难生活。而且画面的色调比较具有视觉冲击力,再加上诡异的配乐,让本片的气氛营造得十分吸引人。嘉宝也许不是片中最美的女人,但当她换上新衣服的那一刻,我感觉整个银幕都被点亮了。
  • 神户酩人@@@@@早期德国电影一大特点就是用特写或大特写夸大演员夸张的面部表情。
  • 豆瓣短评
  • ZY@@@2010-12-30@@@0@@@EE-2380 双碟 另一个译名是“没有欢乐的街”,嘉宝唯一的德国片。
  • 一个死枪枪@@@2012-03-16@@@1@@@http://www.youtube.com/watch?v=IUxfL7c-IC4
  • 小易甫@@@2013-05-09@@@3@@@德国街头电影代表作,同时具有情节剧倾向。这部通胀时期的影片苦心讲述了中产阶级在经济方面不得已的衰退和他们背叛自身道德价值观之间的联系,将无法无天的投机分子和贫困中产阶级进行鲜明对比。巴布斯特坚定的写实主义令时人大为震惊,英国禁止该片供应,其他国家发行的版本也遭到相当程度的肢解。
  • 火娃@@@2013-08-29@@@4@@@7.0/10。明明是爱情片为什么配乐要这么诡异?全色胶片的拍摄使画面呈现统一的红、绿、蓝和黄色,有运用到表现主义(阴晦氛围、扭曲巨大的影子和手的叠印等),和朗一样大量使用到雪茄(夜总会场景),但是叙事太面面俱到搞得人昏昏沉沉,还有结尾你能处理得不那么好莱坞一点吗?房子烧完就直接出字幕。
  • 翟墨子@@@2012-07-02@@@1@@@b77rzgml,ennp29ge。战后德国现实一种;可怜之人必有可怜之处;全程阴森恐怖配乐;PS:葛丽泰嘉宝果真美艳不可方物;
  • 豆瓣长评
  • 宗黎@@@2009-02-28 14:04:08@@@沿用原名的观感:没有欢乐的大街@@@18@@@这篇影评可能有剧透 这是嘉宝唯一一部德国电影,也是最后一部欧洲电影(除德语版《安娜·克里斯蒂》外),很难得有这个英文字幕的版本。看名字就知道是部现实主义题材作品;讲述一战后维也纳某条街道上的人生百态。 故事主要定睛在两个家庭的遭遇中。某住宅地下室里住着三口之家,瘸腿的父亲脾气... (展开)@@@https://movie.douban.com/review/1752610/@@@https://img3.doubanio.com/icon/u3581385-24.jpg
  • 非虚构@@@2018-02-17 21:56:50@@@导演说@@@3@@@1924年,随着战后危机年代的过去,德国政治,经济开始进入一个相对稳定的时期。新的政治,经济形势导致德国的精神生活与文化生活产生新的变革,并带来电影题材与内容的变化。摆脱了政治动乱,通货膨胀的威胁与饥寒之苦的德国观众,这时开始寻求一种新的精神食粮。电影制片人也... (展开)@@@https://movie.douban.com/review/9159041/@@@https://img3.doubanio.com/icon/u139314696-71.jpg
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