我们短暂的生活

热度:127

简介

Franziska Linkerhand, a qualified architect divorced and up to now a kind of "master pupil" of a renowned architect, moves to a small town to meet new challenges. She wants to work in an architect's bureau in her new place of residence. Franziska is a person who does not make any compromises; she makes great demands on herself. But she is also full of ideals and dreams. She would like to help build a town in which people feel good and at home. However, Franziska soon realizes the discrepancy between her wishful thinking and reality. The acting municipal architect Schafheutlin, who has long since become ossified in his ideas and norms and who, in many respects, is supposed to be Franziska's partner; quickly becomes her adversary. Because of Franziska's rigorous manner, he is, however, seized with a restlessness which is new to him. Franziska's productive creativity is infectious... She gets to know Trojanowicz, who arouses deep passionate feelings in her and he responds to her in the same way. But Franziska's uncompromising challenge is too much for Trojanowicz. Their love affair ends. In spite of this great disappointment, Franziska does not leave the small town. She has realized that a year is far too short to bring about any fundamental changes for the people.

上映地区 中国大陆
上映时间 1981
中文名 我们短暂的生活
别名 our short life
原始名称 我们短暂的生活
国家 east germany
地区 德国
外文名 unser kurzes leben
子类型 剧情
导演 lothar warneke
年份 1981
片长 113 分钟
类别 电影
精选上位词 电影
英文名 unser kurzes leben
语言 德语
豆瓣短评数量 1
豆瓣短评时间 2015-08-01
豆瓣短评网友 小易甫
豆瓣短评赞数 0
豆瓣长评数量 0
主演
  • gottfried richter
  • simone frost
  • hermann beyer
  • 剧情

    franziska is a person who does not make any compromises; she makes great demands on herself. but she is also full of ideals and dreams. she wou...

    演员
  • gottfried richter
  • simone frost
  • birgit frohriep
  • hermann beyer
  • 评论

    小易甫@@@@@影片提供了不抱幻想的东德六七十年代景象,以城市建设为背景塑造坦率激进的女性形象。这一形象表明了雄心和严谨可以作为个人与社会发展的有效力量,但盲目的成就追求同时也在特定条件下带来阻碍。尽管涉及对城市规划的批评,但并非抗议系统本身,而是对改进的期待,这一妥协基调也更利于审查。(3.5)

    豆瓣短评

    小易甫@@@2015-08-01@@@0@@@影片提供了不抱幻想的东德六七十年代景象,以城市建设为背景塑造坦率激进的女性形象。这一形象表明了雄心和严谨可以作为个人与社会发展的有效力量,但盲目的成就追求同时也在特定条件下带来阻碍。尽管涉及对城市规划的批评,但并非抗议系统本身,而是对改进的期待,这一妥协基调也更利于审查。(3.5)