by Stephen Thomas Erlewine Hiring noted roots experimentalists Tchad Blake and Mitchell Froom as engineer and consultant, respectively, Sheryl Crow took a cue from their Latin Playboys project for her second album -- she kept her roots rock foundation and added all sorts of noises, weird instruments, percussion loops, and off-balance production to give Sheryl Crow a distinctly modern flavor. And, even with the Stonesy grind of &Sweet Rosalyn& or hippie spirits of &Love Is a Good Thing,& it is an album that couldn't have been made any other time than the '90s. As strange as it may sound, Sheryl Crow is a postmodern masterpiece of sorts -- albeit a mainstream, post-alternative, postmodern masterpiece. It may not be as hip or innovative as, say, the Beastie Boys' Paul's Boutique, but it is as self-referential, pop culture obsessed, and musically eclectic. Throughout the record, Crow spins out wild, nearly incomprehensible stream-of-consciousness lyrics, dropping celebrity names and products every chance she gets (&drinking Falstaff beer/Mercedes Ruehl and a rented Leer&). Often, these litanies don't necessarily add up to anything specific, but they're a perfect match for the mess of rock, blues, alt-rock, country, folk, and lite hip-hop loops that dominate the record. At her core, she remains a traditionalist -- the songcraft behind the infectious &Change Would Do You Good,& the bubbly &Everyday Is a Winding Road,& and the weary &If It Makes You Happy& helped get the singles on the radio -- but the production and lyrics are often at odds with those instincts, creating for a fascinating and compelling (and occasionally humorous) listen and one of the most individual albums of its era.
Alias | sheryl crow |
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Extra | sheryl crow |
Name | sheryl crow |
原始名称 | Sheryl Crow |
名称 | sheryl crow |
收藏数 | 375 |
歌手 | sheryl crow |
类别 | 录音室专辑 |
语言 | 英语 |